Just last week we heard that Warner Bros. was ending its home video / DVD business in South Korea due to rampant piracy, and now we've got a report from China suggesting that sophisticated pirates are duping buyers with faux Blu-ray Discs that are actually DVDs. As the story goes, movie pirates in select parts of Asia are ripping bona fide BDs and then burning them in AVCHD format (which uses 720 horizontal lines of resolution compared to Blu-ray's 1,080) on writable DVDs. Word on the street has it that these discs are being offered for around $7 each, and they even boast the BD hologram and the iconic blue hues on the packaging. Reportedly, none of the discs have made it outside of Asia just yet, but stay sharp should you ever get the urge to snag a discounted BD title while traveling abroad.

[Image courtesy of UberGizmo]

Those guys look pretty passionate, wouldn't you say? It's folks like that (we presume) that have forced Warner Brothers' hand, and now the studio will end its home video and DVD business in the nation of South Korea. According to an unnamed official at Warner Brothers Home Video Korea, "one of the reasons for the pullout is a slump in the video and DVD market, resulting from online piracy and illegal downloading," and amazingly enough, Warner Bros. is actually the last remaining Hollywood company to pull out of the region. Instead, the firm will focus on "digital distribution," and given that just about everyone and their grandmother has access to the internetz in South Korea, we'd say that's probably an intelligent move.

Hot on the heels of Pioneer's latest Qflix-enabled duo comes a fresh pair from Plextor. The PX-806SA (internal) and PX-Q840U (external) both feature Sonic Solution's sophisticated burn technology that enables users to imprint CinemaNow movies onto specially-keyed blank DVD media. Yes, you actually need proprietary media for this to work -- fun, right? Anywho, the drives come bundled with Roxio Venue / Creator 10 CE software alongside a pair of recordable Qflix discs, and both should be available right now in North / South America for $89.99 and $149.99, respectively. Full release after the break.

We knew Hollywood wouldn't let RealNetworks sell its RealDVD DVD-ripping-and-archiving software without a fight, and right on schedule, the six major studios have filed a lawsuit seeking to prevent it from being sold. Of course, RealNetworks has been planning on hiding behind that Kaleidescape ruling all along, but straight CSS circumvention isn't really what's at the heart of the suit: according to the studio's request for a restraining order, consumers won't be able to contain themselves in the face of RealDVD's voodoo magic and will start ripping rental DVDs en masse -- seriously, the suit calls the incentive to do so "all but overwhelming." Here's a hint, guys: if you believe the temptation to do something is that strong, it probably means you can get people to pay to do it -- and you should probably be working out a business model that embraces consumers instead of funding new BMWs for your lawyers while actual piracy tears down the fragile house of cards your entire industry is built on. Or you know, whatever.

RealNetworks, the company you love to hate, is back with a new product sure to capture the attention of Hollywood and its MPAA thugs. For $30, RealDVD plans to do what DVD Jon enabled years ago -- namely, making digital copies of your DVDs. Unlike Jon's illegal DRM stripping software, RealNetworks' approach lays on additional DRM allowing you to make a single copy, only, playable on the machine doing the rip -- up to five additional Windows PCs can be authorized at a cost of $20 per.

Real thinks that the use of the additional DRM coupled with Kaleidescape's legal victory -- a ruling that seemingly authorizes users to copy DVDs for their own personal use -- will help it escape the wrath of the MPAA. Not that RealNetworks has ever been afraid of a fight as demonstrated by its 2004 scuffle with Apple when it began offering software that allowed iPods to play Real's DRM'd content. Good thing too because we're pretty sure that shutting down the planned start of RealDVD's sales at the end of this month is the number one topic around the bunny-juice dispensers at the MPAA offices this morning.

[Via cnet]

There are plenty of people out there that couldn't care less if HD programming continued to flow over component connections. To some, it is just seen as an outdated technology that deserves to die. So it's no surprise that some big names like DirecTV and AT&T recently told the FCC that they couldn't care less either, but this is mostly because they are more interested in offering some Hollywood movies a few weeks early, than ensuring their customers can use their connection of choice. Funny though, not everyone agrees, we particularly liked the stance of the National Association of Theater Owners which believe that if new movies were offered earlier, it is sure to kill the theater business -- boy, we never heard that one before. The only entity out there who did seem to be on the same page as us was the Consumer Electronics Association, who called SOC a "blunt instrument" to which they see many opportunities for abuse. TiVo seemed to have the most level headed approach though, which was, let 'em try it, and if it's abused (aka used for something other then new movies) then repeal it -- just so long as the content works on TiVo devices, of course.

There has been a bit of a ruckus lately about the fact that Hollywood recently petitioned the FCC so that the ban on selectable output control (SOC) would be lifted. The articles go on to say that the this could impact the way you record with your HD DVRs, but it really isn't the case. As DirecTV HD DVR, TiVo HD and Vista Media Center owners (among others) can tell you, there are already flags out there that can either limit the amount of time you can keep a show, or prevent you from recording something entirely. The copy never flags are not supposed to be used, but it's obvious that they are, and the copy once flags get abused by some providers as a rule, rather than the exception. But SOC has nothing to do with recording on your HD DVR; SOC is all about closing the analog hole.

As the Motion Picture Association of America continues on its unending (we mean that quite literally) quest to banish digital piracy, it has just announced its unbridled support for yet another technology. The MPAA has approved the use of DreamStream's secure online file streaming system "as a solution to curb digital piracy," and according to Michael Jay Solomon, founder of Solomon Entertainment Enterprises, the software will "allow the content providers to recoup the billions of dollars that they are loosing [sic] right now." If you got a chuckle out of that, get a load of this. Ulf Diebel, chief development officer for DreamStream, went so far as to say that in order to "win the war on piracy, the studios need DreamStream's military grade capabilities." Heck, the company even asserts that its "unpublished encryption has never been compromised by hackers or digital pirates." Sheesh , don't you all know what happens when you just beg to be circumvented?

Last month you let us know in the comments how you felt about the MPAA's latest effort to close the analog hole -- by removing the FCC's ban on selectable output control (SOC), giving them the ability to remotely disable the analog output on your cable box -- now try telling someone who can actually do something about it. The FCC has opened the petition to public comment until June 25, and replies to comments by July 7. Currently, the MPAA is arguing that allowing SOC will actually hasten the digital transition, once it feels comfortable offering early release flicks on HD video-on-demand, people will have more incentive to upgrade their TV sets. Of course, owners of older HDTVs without HDMI connections or anyone else who'd rather use analog outs would be left in the dark, and Ars Technica notes the EFF and Home Recording Rights Coalition have already spoken out against the plan. Give the MPAA's proposal a read then let the FCC know which side of the line you fall on before it's too late.

[Via Ars Technica]

Read - MPAA proposal (warning: PDF link)
Read - FCC Electronic Comment File Submission (The docket number for field #1 ("proceeding") is 08-82.)

Moving beyond day-and-date releases via internet and HD video-on-demand, movie studios may be ready to move towards regularly putting movies online ahead of the DVD release date for a premium price -- that surveys say some of us are willing to pay -- but prepare to have your analog hole plugged again. The MPAA petitioned the FCC earlier this month to lift the existing ban preventing cable and satellite providers from remotely disabling analog outputs on their set-top boxes via selectable output controls (SOC). In a bit of ICT redux, the movie studios haven't said definitively that they will use the technology, but insist on having the ability to force anyone wanting to view high definition movies to only see them through an HDCP-protected HDMI output to a compatible TV. The failure of AACS and BD+ to prevent high quality copies isn't a deterrent to the MPAA's push, so while ICT has gone unused on Blu-ray and HD DVD, we're still too fond of our component outs, switchers and homemade cables -- and too wary of a future change in policy -- to support any changes in the law.

Santa Clara County police arrested a 27-year-old "entrepreneur" with roughly 50,000 pirated DVDs stashed. The estimated street value of the collection adds up to $250k, and the movies naturally included titles currently in theaters -- including the critically acclaimed "Alvin and the Chipmunks." Police found the stash thanks to a 911 hang up at the man's home, and currently have him sitting in jail while everybody waits for the MPAA to redouble its consumer education efforts on this menace to society -- we're going to run out of plastic, people.

[Thanks, Paul B]

Although we had heard that "another studio" would be mimicking the approach taken by Warner Home Video on the forthcoming Harry Potter DVD, now we're learning the who, what and when. Apparently, 20th Century Fox will be including an "electronic copy of the complete movie [that's Live Free or Die Hard, for those wondering] that can be played on a computer and select portable video players." This could debatably be seen as an "industry first" considering the November 20th release date (compared to Potter's December 11th), and while the Digital Copy system is expected to hit future Fox DVDs, we've no idea what those titles will be just yet. Furthermore, it's stated that the feature is "DRM-free," but after entering a 16-digit serial code found within the case, users can only "transfer the movie file to Windows-based computers or PMPs equipped with Microsoft Windows' PlaysForSure feature." Gotta love those limitations, eh?

Users clamoring for alternate (read: easier) ways to transport commercial DVD footage to portable media players will likely enjoy knowing that the next Harry Potter DVD will reportedly feature "two downloadable digital files" for easy viewing on devices other than a vanilla DVD player. According to Jim Wuthrich, Warner senior VP of digital distribution, users can "buy the DVD and have the option of the digital copy," and apparently, he also suggested that "another studio was preparing to launch digital copies of a film tied to its DVD release." Unfortunately, details about the actual formats and whatnot weren't disclosed, so barring any unforeseen announcements, it looks like we'll be waiting for the December 11th release of Order of the Phoenix to find out exactly what this disc contains.

[Via ArsTechnica]

Just a week after the DVD CCA approved an unexciting (and incredibly restrictive) download-to-burn scheme, DataPlay has unveiled what it calls the "world's first CSS-managed recording DVD burner." Of course, this isn't the first time we've heard about this type of setup, and as it turns out, DataPlay is actually "participating in the Qflix technology and IP licensing program." The aptly-named MovieWriter is an external USB 2.0 device that is "capable of writing CSS encrypted content for playback on standard DVD players," but alas, you'll be forced to pick up the presumably expensive CSS-MR pre-keyed recordable discs through Verbatim or Taiyo Yuden before any burning can take place. Currently, no pricetag is being listed, but we are told that the outfit is already planning an internal version for OEMs to integrate into pre-fabricated machines. [Warning: PDF read link]

It's been so long since we've heard anything serious about audio watermarking that we were beginning to worry, but for the hackers up for yet another challenge in the realm of high-definition film, your brief wait is (nearly) over. Verance Corporation has just announced the immediate availability of its audio watermark technology for licensing by manufacturers of Blu-ray and HD DVD players and components, which means that users will likely face another layer of content protection when trying to free their movies from the bondage of DRM. No word just yet on a timeframe in which this stuff will actually make its debut, but it is noted that the AACS is "is expected to release final license agreements requiring the inclusion of VCMS/AV detector technology in HD DVD and Blu-ray players in the coming months."