Betcha didn't see this one coming, did you Philips? No sooner than the aforementioned company unveiled a rather striking 56-inch Quad Full 3D HDTV over on the left coast of the US did Japan's National Institute of Information and Communications Technology (NICT) and JVC Victor one-up that with a 72-inch prototype of their own. Revealed at CEATEC 2008, the Full HD (1,920 x 1,080) set doesn't even require viewers to sport those face-consuming glasses to experience the effect. In essence, the display utilizes multiple projectors to really emphasize that elusive third-dimension, but the viewing angle is understandably limited. Oh, and we hope you're not too geeked up about this -- NICT stated that we probably wouldn't see these in the commercial realm before 2011. Ah well, at least there's IMAX to hold us.

[Via Gearlog]

JVC's iPod dock-infused LT-42P789 was announced way back when at CES 2008, but we're just now starting to see the flat-panel leak out onto the market. The cats over at E-Gear were able to house one for a review, and all in all, they were quite pleased. Image quality while watching Blu-ray Discs was exceptional, the iPod playback / UI navigation was satisfactory and the inbuilt speakers were actually not half bad. To be frank, we don't see many potential LCD HDTV buyers looking heavily at this one unless they're simply dead-set on having integrated iPod support -- but hey, if that's you, this one may be the next set you want consuming your den.

JVC has pushed out a release today clarifying some of the claims it made back at CEDIA 2008, and by and large, it's things that prospective buyers will want to hear. The company introduced an HD foursome of projectors in Denver earlier this month, but apparently, some of the specifications it included weren't, shall we say, final. Looking specifically at contrast ratio, we see the DLA-HD750 and DLA-HD20 jumping from 30,000:1 to 50,000:1, the DLA-RS10 going from 17,000:1 to 32,000:1 and the DLA-HD350 doubling up from 15,000:1 to 30,000:1. Also of note, JVC is now highlighting the 16-step fixed aperture in the DLA-HD750 and DLA-RS20 that "helps eliminate extraneous light that can reduce contrast levels and allows adjustment of brightness to suit user preferences." As for updated prices, you can expect to pay around $6,000 for the DLA-HD350, while the DLA-HD750, DLA-RS10 and DLA-RS20 come in at $8,000, $6,000 and $8,000 in order of mention.

We'll go ahead and warn you: these aren't your mother's LCDs. Over in Amsterdam, JVC took the wraps off of three pricey new LCD HD monitors aimed at the professionals in the room, all of which include 10-Bit 4:4:4 video processing and computer automated calibration capability of black level, white level, color temperature and gamma. The 17-inch DT-V17L3DU, 20-inch DT-V20L3DU and 24-inch DT-V24L3DU make up the Vérité family, and the largest of the bunch even includes a native 1,920 x 1,080 resolution. Other atypical features include a rugged all-in-one metal frame construction, two HD / SD SDI inputs, a built-in waveform monitor with over-level indication and ultra-low latency circuitry (less than one second) for lip sync accuracy and an anti-diffusion panel surface for "exceptionally high resolution, contrast and color." It's a shame these will set you back $3,000, $3,495 and $4,695 in order of mention, but like we said, they're for the pros.

Well-known Japanese marques don't find their way into many HT speaker setups, but the Japan-only SX-M7 from JVC has decent looking specs, at least. Specs alone are a terrible way to get the full measure of a speaker, but fill a floorstanding, slanted-back cabinet with a pair of 19cm (7.5-inch) woofers, a 14.5cm (5.7-inch) midrange and a 1.9cm (0.75-inch) tweeter to cover a range of 26Hz - 65kHz, and things are off to a good start. That 65kHz mark leaves our ears ringing, which might explain why the ¥315,000 ($2,950) pricing doesn't fully register -- that kind of money moves these into Paradigm and B&W range, for example, which is some pretty formidable competition that might make these more of a brand-loyalty proposition than a cost-competitive one.

[Via CyberTheater]

JVC's 3-panel LCoS 180p DLA-RS2 is a natural fit for the Richie Rich CEDIA crowd, so it's natural to throw this bit in while we're still coming down from the show. At the $9,000 price point, doing a constant-height 2.35:1 projection setup on the cheap isn't exactly an option, so JVC has thrown in an RSAL2 anamorphic lens and an RSVP2 processor (which does look an awful lot like a DVDO VP50) for your viewing pleasure. Other than those features, things look pretty much the same, which is no knock on the well-respected pj known for bright (and dark), colorful images.

With Belkin's FlyWire just about to hit the market, JVC's planning to ride the wave and produce a wireless HDMI box of its very own. The unit was said to be a last minute addition to its CEDIA arsenal, and the representatives on hand weren't even briefed on what wireless technology the demo was using. Of note, there was a live demo involving no smoke nor mirrors, where the box received a 1080p signal via HDMI and beamed it out to a hidden receiver that was connected to an HDTV via (you guessed it) HDMI. JVC is obviously aiming for consumers with just one primary set-top-box (a PS3, for instance), and the plug-and-play nature means it can work with any source and any display so long as HDMI is involved. Pricing hasn't been set, but we were told to expect a Q1 2009 launch. Check out the prototype in the gallery below.

Fancy that -- JVC's DLA-HD750 / DLA-HD350 both look exactly like we guessed they would. Thte 1080p beamers were pretty sharp, and the glossy black coat looked exceptionally fabulous in person. But we all know pictures speak louder than words, so head on down and get to lookin' yourself.

Well, took 'em long enough! Just about a year after JVC initially demonstrated the 4k x 2k DLA-SH4K projector, the firm has finally got up the courage to begin shipments. The beastly device is based on the company's proprietary 1.27-inch 10 megapixel D-ILA technology and provides a brain-melting native 4,096 x 2,400 resolution. Packed within is a 825-Xenon lamp that generates light output of 3,500 ANSI lumens (and likely murders your energy bill). 'Round back, you'll find four DVI-D (dual-link) terminals, an RS-232C port, USB connections and an Ethernet jack for making adjustments via a web browser. We are told it's available immediately, though we aren't told the price; chances are we couldn't fit that many zeros into this space, anyway. Full release is waiting beyond the break.

With Sony and Panasonic dishing out new 1080p projectors here at CEDIA, we knew JVC wouldn't be long in following suit. Matter of fact, it's launching not one, not three, not five, but four new beamers here in the Mile High City. All four models boast the company's proprietary 0.7-inch full HD D-ILA technology, and the DLA-HD750 (pictured) and DLA-RS20 (30,000:1 contrast ratios) are also THX-certified. Those two are joined by the less spectacular (and less costly) DLA-HD350 and DLA-RS10, which offer up 15,000:1 / 17,000:1 contrast ratios, respectively. Additionally, you'll find an HQV Reon-VX video processor, 2x motorized zoom lens, external 12-volt trigger and HDMI 1.3 sockets across the board. You can check out pricing / availability along with the full press release after the break.

The appearance of Blu-ray HTIB systems under a number of brands is an encouraging sign that the format is at least trying to move into the mainstream living room, and now JVC's thrown its hat into the ring with the 2.1-channel NX-BD3. Of course, simply pulling bits off of Blu-ray discs isn't enough entertainment value these days, so the system also sports DLNA support, a 200-Watt powered sub and a 4x55-Watt amplifier (leaving you two channels to grow into). At £799 ($1,465) for a 2.1-channel setup, you might expect to get the latest and greatest in Blu-ray tech, but Profile 2.0, DTS-HD MA and Dolby TrueHD didn't make the cut -- let's hope some sort of "market adjustment" happens between the time this appears next month and when it crosses the pond.

[Via Electronista]

We got a chance to peek JVC's latest line of Everio camcorders in a controlled environment a few weeks back, but we finally managed to snag a retail HD40 (that's the flagship model in this series) and take it off to our own special corner. Of course, we tackled the first things first: unboxing and hands-on. Early impressions are that the unit is surprisingly light, though it's on the bulky side. Granted, there is 120GB of storage in there, so it may be a fair trade off for some. We're letting the battery charge up and plan to shoot some video with it over the weekend; we'll be writing up a full review here shortly. 'Til then, enjoy the gallery below (complete with comparison shots with the impressive Samsung SC-HMX20C).

Dust those cobwebs out and strain that memory, won't you? Surely you haven't forgotten about JVC's pair of "world's thinnest" LCD HDTVs; after all, they were just announced at CES. Whatever the case, the 42-inch LT-42SL89 and 46-inch LT-46SL89 HDTVs are both proud members of the outfit's Procision series and boast a cabinet that "across most of its width measures a mere 1.5-inches, with a maximum depth of just 2.9-inches at the panel's center." Of course, each set also includes a TV tuner, three HDMI inputs, two component jacks and one S-Video / VGA port to complement the USB picture viewer, illuminated remote and touch-sensitive buttons on the front panel. Both super-slim units will hit retail stores next month for $1,899.99 and $2,399.99, respectively.

[Via FarEastGizmos]

Sure, it's easy to get a great sounding system when money ain't a thang, but what if you're on the hunt for a 5.1-channel surround sound system from a company you've heard of in the last decade... and you've only got $50? Enter JVC's SXXSW6000, which is being sold now at Wal-Mart for a staggeringly low $49.88. The critics over at Sound & Vision actually took the plunge and decided to put the incredibly inexpensive system through the paces. Miraculously, reviewers found that the system wasn't nearly as bad as one might expect, even proclaiming that it was "definitely worth $50." Still, the kit had its flaws, particularly when trying to handle loud explosions, throaty voices and any manner of bangs / crashes. All in all, S&V couldn't really knock these guys considering just how cheap they were, but they still recommended that you hold off and save up until you could throw a few Benjamins on a real system.