Samsung delays fourth gen BD-P1500 Blu-ray player, adds BD-Live
Update: Samsung let us know the press release was in error, the MSRP will remain at $399.
Posts with tag codec
Avid has been working with the SMPTE organization for two years, and can finally announce that its DNxHD codec, intended for use in HD postproduction, has been approved as compliant with the newly created VC-3 standard. The upshot of this is a standard that can be used to work with and transfer high quality HD media at lower bitrates and file sizes, without being locked into just one hardware manufacturer. We'll have to wait and see who else adopts this standard, and what cost/time savings are to be had, but things are looking up for our art house production of Format War: The Tale of Two Brothers, Blue and Red.
Moving 100 million of anything is no easy feat, and DivX is using this very milestone to throw itself a party. Reportedly, over 100 million DivX Certified video devices have shipped out "since the launch of the DivX Certification program in 2003," and it notes alliances with LG, Philips, Samsung, Sony, and Thomson (what, no SanDisk?) as key steps along the way. More specifically, over 2,500 individual product models have been loosed that support DivX playback, and the company estimates that around "32-percent of all DVD players sold worldwide support DivX." Way to go, now how's about unleashing that Connected box of your to the masses?
Likely coinciding with XM's unveiling of its media-packed "infotainment" concept vehicle at CES, On2 Technologies will be showcasing its TrueMotion VP6 and VP7 compression codecs. While On2's codecs have been at work in XM's gadgetry (among other things), On2 is now aiming to take its compression software to the high definition realm as well as beefing up its stake in the portable arena. The VP6 codec will primarily be used in VOD, broadcast, digital video signage, and other bandwidth-constrained networks and mass-market devices for fixed and mobile video; the VP7, however, will demonstrate compression technology at "data rates as low as 2Mbps," which will supposedly allow "greater penetration of high definition video across low cost devices and existing networks for on-demand, broadcast and other streaming applications." The technology could eventually be used to broadcast HD content over 2.5G, 3G, and 4G mobile networks whenever we get displays large enough (and with enough pixels) to view them, but we'd be perfectly content with a little HD streaming on our navigation systems for now.
A lot of the criticism leveled at early Blu-ray releases cited their use of the MPEG-2 video codec for compression on 25GB single-layer discs. According to Home Theater Spot, a Warner rep confirmed to them that Lethal Weapon, Blazing Saddles and Firewall will all be encoded with the Microsoft codec. Full Metal Jacket however will still ship as MPEG-2. With fixed Samsung BD-P1000 players and properly next-gen encoded titles, perhaps Blu-ray can stand up to HD DVD and show why it is worth the investment. No word on any new extras to take advantage of all that extra space however, we guess we'll just take one order of increased video quality at lower bitrates to go, thank you.
The early impressions of Sony's initial Blu-ray releases are in and as you may have heard, they aren't so good. Many have pointed the blame at Sony's insistence on using MPEG-2 instead of the newer and more easily compressed MPEG-4. One of the reasons they cited for sticking with the older format was their insistence that the MPEG-4 authoring tools available were not of sufficient quality.
Erik mentioned this during the podcast earlier, and I thought some of you might find it interesting. TWICE has an article up listing the various audio options that will be available on both HD-DVD and Blu-ray discs and players. All HD-DVD players must include support for two-channel Dolby True HD, 5.1 DTS HD, and 5.1/6.1 Dolby Digital Plus. Blu-ray players are required to support Dolby Digital 5.1, DTS 5.1 and 5.1 PCM.


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