Pioneer BDP-95FD review

Posts with tag Dolby TrueHD

With HD DVD and Blu-ray also came the ultimate audio options in a time when convenience trumps quality in most of the audio world. While SACD and DVD-Audio are all but a bust, audiophiles can turn to HD DVD and Blu-ray for the ultimate audio experience. But even if you aren't an audiophile, it's still worth it to many to take advantage of the master quality audio available on the HD discs that you've already paid for. Unfortunately, it isn't as easy as it used to be, and after realzing how much confusion there was surrounding these next-gen codecs, we decided to try to help clear up the confusion. So if you want to know how to take advantage of everything on the discs you already own, but don't know why Toslink doesn't cut it anymore (and what's so special about about HDMI 1.3), then read on, will ya?
Pioneer is expanding its CES lineup with four new audio-video receivers, one of which supports the new high-definition audio codecs found in Blu-ray and HD DVD. The VSX-518-K, VSX-818V-K, VSX-918V-K, and VSX-1018TXH-K A/V receivers all feature Multi-Channel Acoustic Calibration with an included microphone for tweaking acoustics in the room, three 1080p-capable component inputs, and Auto Level Control for equalizing volume between sources. The VSX-518-K, 818V, and 918V all feature P.H.A.T (Pioneer Hybrid Amplifier Technology) power sources and support for WMA9 Pro over 5.1 channels, with the 518 dropping support for XM and Sirius satellite, iPod, and HDMI inputs. The big news is the VSX-1018TXH-K, with its support for 130 watts over 7.1 channels using a Direct Energy power supply, HDMI upscaling to 1080p, six digital inputs, and support for the lossy Dolby Digital Plus and DTS-HD High Resolution, and lossless Dolby TrueHD and DTS-HD Master Audio codecs. The VSX-518-K is priced at $199, the VSX-818V-K at $249, the VSX-918V-K at $349, all releasing in April, and the VSX-1018TXH-K will come to market in June for $599.
With all the talk of the PS3's inability to take advantage of the benefits of DTS HD yesterday we got to thinking, how many people can actually enjoy both of the latest codecs? While it's easy to just say my setup can do X and that's good enough, the problem is that most titles don't give you a choice when the studios don't opt to include both a TrueHD and DTS HD sound track. So compatibility isn't as much about choice as it is about not having to default to the 1.5Mbps compressed audio from the 90's because your setup can't decode both.
We gave this a go some time ago, but compared to the job Hi-Def Digest did, ours is pathetic. Not only do they go into detail about what every audio format available for both HD disc formats is all about, but they go on to give examples of discs that include them, and to top it all off, how to enjoy them. It's more complicated than you think because not every player or connection method supports every audio format. To be honest it's far more complicated than it should be and we wonder how anyone could make heads or tails of this mess without being very dedicated. Lucky for us, Joshua Zyber is up to the challenge and his article should help clear things up for just about everyone.
One of the benefits in going from HDMI 1.2 to 1.3 is support of Dolby TrueHD and DTS HD Master Audio streams. The idea goes something like this -- you get your HDMI 1.3 compliant player (HD DVD or Blu-ray flavor), hook it up to your new HDMI 1.3 processor/receiver, and bask in the glory of reference quality audio. The reality? Not so clear. It turns out that at least some standalone players don't support the HDMI 1.3 specification fully, and skimp on streaming these formats either naively or in a PCM format, just like PS3 owners found for DTS HD. Technically, that's fair - manufacturers are not required to implement the full HDMI 1.3 specification to wear the HDMI 1.3 badge. But wasn't HDMI supposed to reduce confusion among consumers? The HDMI Learning Center suggests that "... consumers should ensure that their playback device ... is capable of decoding these new lossless Dolby & DTS audio formats ..." Caveat emptor, friends.
Considering what a mythical reference title The Fifth Element was when released on DVD (and Superbit, and Laserdisc!), it was surprising to see it reviewed as just another softly-focused, dirty, and scratchy launch title for Blu-ray. Many reviewers and fans complained about the lackluster MPEG-2 encoding, and the general poor quality of the transfer. Sony has announced details and contact information about a plan to exchange the first -- now discontinued -- batch of Blu-ray Discs for the remastered edition, due to be released in July. The new version is a new 1080p transfer from a different master, and includes Dolby TrueHD as well as uncompressed PCM audio. It will also be encoded in MPEG-4 AVC, which will hopefully show off the improved compression of the newer codec. Quite an olive branch from Sony for those who have already picked it up, and a show of good steps toward making Blu-ray titles the best they can be. Now the question remains, how many of the other initial MPEG-2 Blu-ray titles will be remastered like this?


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