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Anthem unveils its LTX 300, LTX 500 projectors

by Steven Kim posted Jul 29th 2009 at 11:48AM

Anthem LTX 500 LCOS projector
We first heard about Anthem getting into the projector game at CES, and now it's all come together. Both the LTX 300 and LTX 500 LCOS beamers feature 1080p resolution, electronic lens shift, and a coupon for half-off your first (cue ominous music) bulb replacement. Deep-pocketed cinephiles who step up to the LTX 500 also get two trigger functions (no need to get up for the screen or that anamorphic lens on a motorized sled), THX mode, and full tweakability on the RGBCMY drives. Seriously, a killer demo is a big factor for this level of gear, and this move lets Anthem dealers demo a soup-to-nuts system -- electronics, screen and beamer can all be demoed and loaded into the shopping cart with one-stop convenience. Don't forget the audio while your out shopping either; we're sure something from Anthem's sister company, Paradigm, should be jaw-droppingly good enough to keep up with your new cinema. Full PR and more pics after the break.

Continue reading Anthem unveils its LTX 300, LTX 500 projectors

Anthem makes a statement with its flagship D2v pre-pro

by Steven Kim posted Mar 10th 2009 at 10:52AM

Anthem Statement D2v preamp-processor
You did take that money set aside for your next preamp-processor upgrade out of the stock market didn't you? Better hope so if you had your heart set on the Anthem Statement D2v -- the flagship model is now shipping, complete with eight HDMI 1.3 inputs and a pair of outputs, top notch video processing courtesy the VXP silicon, and four DSP cores handling audio duties with support for high resolution audio formats and of course, Anthem's Room Correction (ARC) software. Oh yeah, and a (gulp) $7,500 price tag. Most definitely overkill, but we wouldn't expect anything less from an Anthem flagship. If your heart and wallet are up to it, check after the break for the full press release and a few more pics -- window shopping never hurt, right?

Continue reading Anthem makes a statement with its flagship D2v pre-pro

Anthem chooses CEDIA to reveal 225 integrated amplifier

by Darren Murph posted Sep 5th 2008 at 8:56AM


Anthem may not have the presence of, say, Sony at CEDIA this year, but at least it isn't wasting all of our time by unveiling a $1,500 SACD player. Our apologies to any of you we just offended (yes, all two of you), but seriously, we have a feeling true audiophiles will appreciate the 225 integrated amplifier much more. Designed with music aficionados in mind, this amp provides a phono preamp input that supports Moving Coil (MC) and Moving Magnet (MM) applications and includes solid-state circuitry boards, seven total stereo audio inputs, a universal learning remote and an RS-232 port. The unit boasts 225-watts of pure, clean power per channel at 8-ohms, and while it will set you back $1,499, this $1.5k piece may actually be worth the price of entry.

Room correction finally trickles down the Anthem lineup

by Steven Kim posted Aug 27th 2008 at 9:12AM

Anthem AVM 50 preamp-processor
Until now, if you were a "separates-only" sort of person with a yen for Anthem gear, the only way to get room correction for your audio was to spring for a Statement D1 or D2 preamp-processor. And wouldn't you know, the "Statement" name doesn't come with a budget price. But now the Anthem Room Correction (ARC) feature has come downstream to the AVM 40 and D50 preamp-processors. Granted, with Anthem gear "downstream" is a relative term, but we've to figure that if you're going the separates route then pricing isn't the biggest concern for you. One thing we do like seeing is that this new functionality is being made available to all AVM 40 and 50 owners as a retrofit. Now when was the last time your "future-proof" receiver got an upgrade like that?

Sound and Vision takes a shine to Anthem's Room Correction

by Steven Kim posted May 27th 2008 at 6:57PM

Anthem ARC-1 room correction system
The lucky folks at Sound and Vision Magazine put Anthem's ARC-1 Room Correction System to test and liked it pretty well. It was evaluated in combination with the top o' the line Statement D2 processor, so the bar set by the associated gear was pretty high. Setup of the $399 add-on -- gratis if you've got a D2 -- sounds pretty straightforward: connect a PC running the ARC-1 software to the Anthem processor via RS-232 and use the included mic to gather some tone sweeps. From there, bumps and wrinkles in your in-room frequency response curve are smoothed out and multichannel levels, crossovers and delays are all set up. The correction (and the rest of the D2's performance) got a solid endorsement from the audiophiles at S&V: they liked it enough to leave it engaged at all times for both music and movie performances.

[Thanks, Rob]

Anthem brings room correction add-on to its Statement lineup

by Steven Kim posted Jan 17th 2008 at 2:56PM

Anthem brings room correction to its Statement lineup
Well-heeled audiophiles who have already bought into Anthem's Statement A/V processor lineup have one less reason to stray from the brand now. The component-producing division of Paradigm Electronics (best known for loudspeakers) has introduced its ARC-1 Room Correction System. The listening room is often the single weakest link in your audio system, and used in conjunction with an Anthem Statement processor, the ARC-1 will help tame room effects automagically. Sounds like a feature built into just about every AVR these days, but as you'd guess from Anthem's high-end pedigree, here it's implemented with separates and priced accordingly. A cool $399 (estimated) will get you the ARC-1and a calibrated mic to go along with it.




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