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Hollywood Theaters upgrading screens to Sony 4k projectors

by Ben Drawbaugh posted Oct 27th 2009 at 12:24PM

Sony 4K projector
With some help from Sony, Hollywood Theaters is upgrading to 4K digital cinema, some of which that will do 3D. The project kicks off over the next few months when 13 locations will get the upgrade that consists of 167 screens all of which will all be going digital. On top of that, 53 of those screens will also support 3D movies thanks to RealD and circular polarized glasses. Of course we won't be happy until every theater in the US is digital and 3D, but this is a decent step in the right direction.

Sony TRIMASTER quad-HD LCD multiplies the resolution, and the price, of any home HDTV

by Richard Lawler posted Oct 6th 2009 at 1:03PM

Can't wait until December for Toshiba's CELL REGZA LCD? Sony is bringing its own 56-inch 3,840x2160 quad-HD display to market November 1 in Japan. Priced at 6,825,000 ($76,583) including taxes this is clearly for pros only, hence the TRIMASTER name referring to the three elements combined within -- exact color, accurate picture and reliability -- thanks to a RGB LED backlit panel built with incredible picture reproduction and exact calibration (with included software via a connected PC) in mind. While it's cheaper than JVC's $175k 4K projector, unless you're mastering the next Pixar flick, viewing high res satellite imagery or can't live without four HD feeds on one screen even the most well heeled amongst may be better served scouring bargain bins for a used Westinghouse D56QX1 for now.

[Via AV Watch]

Toshiba's Cell TV still on for 2009 debut, now with Blu-ray

by Richard Lawler posted Sep 23rd 2009 at 11:52PM

Just in case there was any doubt, Toshiba has confirmed plans to launch its halo product, the Cell (for Cell Broadband engine, similar to the one in the PS3) TV, with all the LED backlit 3D GUI, 3840x2160 resolution, and DLNA streaming capabilities one could want, in Japan by the end of the year. Thanks to the company's new religion, it will also feature a Blu-ray recorder to go along with the 1TB hard drive, though we can bet that will be axed before making its way stateside in 2010. Of course we're still looking forward to the Media Center Extender packing display expected here some time soon, but when an executive promises the "ultimate entertainment machine" we can't help but wonder what's in store. More detailed specifications and any pricing info other than "it will be fairly expensive" are still unavailable.

JVC puts 4K DLA-RS4000 projector in your home... for just $175,000

by Darren Murph posted Sep 10th 2009 at 3:42PM


By and large, any 4K x 2K projector that we've seen -- be it at CES, CEDIA or any other trade show -- has been solely for looks. Oh sure, they're for sale, but they're only being sold to cinema owners and the select few that find themselves within the same tax bracket as Bill Gates and Lawrence Ellison. But the DLA-RS4000... the DLA-RS4000 is different. Introduced here in Atlanta, the ultra high-definition projector spots a native resolution of 4,096 x 2,400, enabling it to display up to four screens of Full HD content (you listening, college football / NFL fans?) at once. Naturally, it's fully ISF and THX certified, and it packs 3,500 ANSI lumens, a Xenon lamp, 10,000:1 contrast ratio, RSVP4 video processing unit, Ethernet port and an RS-232c control port. Interested in showing 1080p what's really up? Great! Crack open that wallet and yank out $176,000 -- $175,000 for the beamer, and a grand to rent the forklift you'll need to get a 110 pound box into your home.

NXG Technologies is first with HDMI 1.4 cables for the 3D HDTV you don't own yet

by Richard Lawler posted Aug 5th 2009 at 11:09AM


Cancel that next-day air shipment from Panasonic Japan, those in need of cables today that are compatible with the 4K and 3D displays of tomorrow can get NXG Technologies Black Pearl Series HDMI v1.4 cables. Not installing cables inside a wall or under a floor? You can probably wait for more reasonably priced (or not so reasonable, if that's what you prefer) alternatives. At around $44.95 for 1m up to $380 for a 20m cable, these available-to-dealers-only connectors promise (despite lacking certification, promised once testing is completed) to future proof custom home theater installations for beyond-1080p resolution, HDMI Ethernet Channel, Audio Return Channel and other HDMI 1.4-only features that should start rolling out in HDTVs, receivers and other equipment early next year.

Panasonic delivering HDMI 1.4 cables in Japan next month: $42 for 1 meter

by Richard Lawler posted Jul 27th 2009 at 8:33PM


It's unlikely you have any HDMI 1.4 equipped 1080p 3D, or 4K/2K capable equipment laying around the house, but that hasn't stopped Panasonic from rolling out these high speed cables already, just announced in Japan. Expected to launch August 27, they range in length from 1m to 10m, and in price from ¥4,000 ($42) to ¥20,000 ($210.) Sure you could import them just to stunt on your Monster Cable owning friends, but somehow we suspect most will be waiting for these to hit Monoprice, Blue Jeans Cable and the like, oh, and for equipment that can actually take advantage of their extra capabilities.

[Via AV Watch]

JVC 4K camcorder set to transmit solar eclipse cameras live July 22

by Richard Lawler posted Jul 17th 2009 at 10:42AM


Not satisfied with just rolling out prototypes and specs, JVC is putting its 4K compact camcorder prototype to work to screen a live solar eclipse throughout several live venues (also in 4K at some locations) in Japan. This camera is the first to deliver its high res, 60p video in real-time, so it can be broadcast a look through the 190-degree fisheye lens shown attached in the picture above in sky domes by 4K projectors. Anyone want to see if they can get Cinedigm on this?

TI sticks to its DLP guns, fires off 4k pro gear

by Steven Kim posted Jun 20th 2009 at 11:21AM

Christie DLP projectorYou just knew that Texas Instruments wasn't going to leave the 4k cinema projector market to SXRD, right? Sure enough, TI unveiled its DLP Cinema 4k technology and announced that Barco, Christie and NEC will be sprinkling the new tech across more than a dozen new projectors. Now, if TI would get serious about 3-chip DLP consumer solutions -- not even 4k -- we'd be out of our seats (or maybe the movie house's). Until then, we'll have to settle for the possibility that the lowered costs of the next generation of the DLP Cinema platform will allow for more screens to go digital. One thing's for sure -- those IMAX DLP setups need all the pixels they can get.

New Orleans' Prytania rises up to 3D

by Steven Kim posted Jun 2nd 2009 at 1:44PM

New Orleans' Prytania Theater
Outside of the frozen food section at the supermarket, nothing beats the summer heat quite like a cool (or downright cold) movie theater, and the recently Sony/RealD 4k-equipped Prytania theater in New Orleans just added 3D capabilities to entice viewers some more. No surprise -- Disney's summer blockbuster, Up, was the first talkie to make the leap off the silver screen at the newly outfitted venue, and we suspect that The Prytania -- the only theater in N'awlins to have Up in 3D -- raked in a healthy crowd for its investment. We love to see storied theaters keep up with the times, and this almost 95-year old movie house is no exception.

[Thanks, gamedude360!]

HDMI 1.4 officially detailed: Ethernet / Audio Return channels, 3D, 4K x 2K support

by Darren Murph posted May 28th 2009 at 11:21AM


We already heard that HDMI 1.4 was just around the bend, and now HDMI Licensing has come forward with all of the official details surrounding the specification. Unfortunately for AV enthusiasts, it seems as if we're taking two steps forward and three back, and we get this sinking feeling that HDMI 1.5 will be here before we know it. At any rate, the main additions to the format are an Ethernet channel, audio return channel, 3D over HDMI, 4K x 2K resolution support, a micro HDMI connector (around half the size of the existing HDMI Mini plug) and an automotive connection system. All fine and good, right? Sure, until you get to the part about having to choose between five different HDMI 1.4 cables, something that the suits at Monster just had to have a hand in. For a detailed look at what you'll need to study up on before buying your next HDMI cable, clinch your fists and hit the read link.

JVC debuts 8K / 4K prototype camcorders, moviemakers drool

by Darren Murph posted May 12th 2009 at 10:02AM


Aw, snap. Just when you thought the 4K market couldn't get any more dominated by RED and the gang, along comes JVC to shake things up. For reasons unknown, the company has chosen now (and not a few weeks back at NAB) to unleash its prototype 4K and 8K camcorders, both of which boast D-ILA technology and can capture clips at a downright mind-blowing 8,912 x 4,320 or 3,840 x 2,160 resolution. There's also a more "compact" sibling which does 4K only, but even it provides plenty of pixels to zoom and pan in unprecedented clarity on. So JVC -- you, us, CEDIA 2009. It's a date, cool?

Update: More details here. Thanks, Geoff!

RED blows away small room of videophiles with 4k RED RAY footage at half the bitrate of MiniDV

by Paul Miller posted Apr 25th 2009 at 3:48PM


While RED has been pretty tight-lipped about its planned RED RAY product, some footage shown off at RED's NAB party gave a sizable hint that RED RAY could be much more than meets the eye -- specifically a $1,000 device that can play cinema-quality 4k video off of standard DVDs. At the party they played an uncompressed showreel of 4k footage on a Sony 4k projector, which clocked in at 1.3GB per second, and then showed that exact same footage under the "RED RAY" codec at a mere 10Mb/s (megabits, not bytes; about half the bitrate of SD DV), at a compression rate of 700:1. Attendees claimed they could see zero visible compression, though a projector in a ballroom isn't exactly the best case scenario to test that sort of thing. Unfortunately, there's little other info about how they're achieving this (we hear "wavelets" come into the equation at some point), or to what nefarious aims, but with compression like this the implications for content distribution are pretty stunning: 1080p+ streaming for all. Naturally, the down side of all of this is probably some pretty hefty processing power on the consumer end, but we'll cross that I/O bridge when we come to it.

[Thanks, Ben H]

R2E cable adds eSATA transfer abilities to RED camera

by Darren Murph posted Apr 15th 2009 at 7:01PM


With NAB just about to get started in Las Vegas, CoolCameraGear is getting out ahead of the crowd with a newfangled adapter sure to please those who find themselves offloading gobs of RED footage. The R2E LEMO to eSATA cable essentially takes the burden away from your FireWire 800, FireWire 400 or USB 2.0 bus by enabling bits and bytes to flow over eSATA. RED camera users simply plug in their RED-Drive or RED-RAM using the original power adapter, then plug the LEMO end of the R2E cable into the drive and the other end into a standard eSATA port. Boom. Just like that, RED owners have instant access to eSATA transfers. For those unaware, eSATA support on camcorder is still a rarity, though the benefits are obvious for pros shuffling through multiple takes. Interested consumers can check this one out when the CoolCameraGear website goes live on April 20th for $230.

Gallery: R2E cable adds eSATA transfer abilities to RED camera

Toshiba's Cell processor powered TV still on for '09?

by Richard Lawler posted Apr 8th 2009 at 1:56PM


Latest word from Toshiba is that its Cell TV -- the network video slurping, six HD tuner recording, SD-to-4K upscaling, 3D GUI powered beast -- will launch in about six months in Japan. Previously we'd been expecting a 2010 debut, although both dates could be true, with Japan seeing the new technology first, Europe later and the U.S. likely somewhere in between. Can't wait until then? Check out our spy shots from the CES show floor or Toshiba's press conference.

Eizo debuts 56-inch 4k x 2k RadiForce LS560W LCD monitor

by Darren Murph posted Apr 2nd 2009 at 1:29PM


Eizo's known for doling out less-than-affordable LCD monitors, but this one just takes the crown (for now). Slated to dazzle in operating rooms everywhere this July, the RadiForce LS560W is a 56-inch behemoth of an LCD that boasts a resolution of 3,840 x 2,160 (or darn close to native 4k x 2k). We're also told that the panel features a 176-degree field of view, a 1,200:1 contrast ratio and 450 nits of brightness. And to think -- we were beginning to wonder if all that 4k surgery footage would ever find a dedicated screen to run on.




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