You just knew that Texas Instruments wasn't going to leave the 4k cinema projector market to SXRD, right? Sure enough, TI unveiled its DLP Cinema 4k technology and announced that Barco, Christie and NEC will be sprinkling the new tech across more than a dozen new projectors. Now, if TI would get serious about 3-chip DLP consumer solutions -- not even 4k -- we'd be out of our seats (or maybe the movie house's). Until then, we'll have to settle for the possibility that the lowered costs of the next generation of the DLP Cinema platform will allow for more screens to go digital. One thing's for sure -- those IMAX DLP setups need all the pixels they can get.

Outside of the frozen food section at the supermarket, nothing beats the summer heat quite like a cool (or downright cold) movie theater, and the recently Sony/RealD 4k-equipped Prytania theater in New Orleans just added 3D capabilities to entice viewers some more. No surprise -- Disney's summer blockbuster, Up, was the first talkie to make the leap off the silver screen at the newly outfitted venue, and we suspect that The Prytania -- the only theater in N'awlins to have Up in 3D -- raked in a healthy crowd for its investment. We love to see storied theaters keep up with the times, and this almost 95-year old movie house is no exception.

[Thanks, gamedude360!]

We already heard that HDMI 1.4 was just around the bend, and now HDMI Licensing has come forward with all of the official details surrounding the specification. Unfortunately for AV enthusiasts, it seems as if we're taking two steps forward and three back, and we get this sinking feeling that HDMI 1.5 will be here before we know it. At any rate, the main additions to the format are an Ethernet channel, audio return channel, 3D over HDMI, 4K x 2K resolution support, a micro HDMI connector (around half the size of the existing HDMI Mini plug) and an automotive connection system. All fine and good, right? Sure, until you get to the part about having to choose between five different HDMI 1.4 cables, something that the suits at Monster just had to have a hand in. For a detailed look at what you'll need to study up on before buying your next HDMI cable, clinch your fists and hit the read link.

Aw, snap. Just when you thought the 4K market couldn't get any more dominated by RED and the gang, along comes JVC to shake things up. For reasons unknown, the company has chosen now (and not a few weeks back at NAB) to unleash its prototype 4K and 8K camcorders, both of which boast D-ILA technology and can capture clips at a downright mind-blowing 8,912 x 4,320 or 3,840 x 2,160 resolution. There's also a more "compact" sibling which does 4K only, but even it provides plenty of pixels to zoom and pan in unprecedented clarity on. So JVC -- you, us, CEDIA 2009. It's a date, cool?

Update: More details here. Thanks, Geoff!

While RED has been pretty tight-lipped about its planned RED RAY product, some footage shown off at RED's NAB party gave a sizable hint that RED RAY could be much more than meets the eye -- specifically a $1,000 device that can play cinema-quality 4k video off of standard DVDs. At the party they played an uncompressed showreel of 4k footage on a Sony 4k projector, which clocked in at 1.3GB per second, and then showed that exact same footage under the "RED RAY" codec at a mere 10Mb/s (megabits, not bytes; about half the bitrate of SD DV), at a compression rate of 700:1. Attendees claimed they could see zero visible compression, though a projector in a ballroom isn't exactly the best case scenario to test that sort of thing. Unfortunately, there's little other info about how they're achieving this (we hear "wavelets" come into the equation at some point), or to what nefarious aims, but with compression like this the implications for content distribution are pretty stunning: 1080p+ streaming for all. Naturally, the down side of all of this is probably some pretty hefty processing power on the consumer end, but we'll cross that I/O bridge when we come to it.

[Thanks, Ben H]

With NAB just about to get started in Las Vegas, CoolCameraGear is getting out ahead of the crowd with a newfangled adapter sure to please those who find themselves offloading gobs of RED footage. The R2E LEMO to eSATA cable essentially takes the burden away from your FireWire 800, FireWire 400 or USB 2.0 bus by enabling bits and bytes to flow over eSATA. RED camera users simply plug in their RED-Drive or RED-RAM using the original power adapter, then plug the LEMO end of the R2E cable into the drive and the other end into a standard eSATA port. Boom. Just like that, RED owners have instant access to eSATA transfers. For those unaware, eSATA support on camcorder is still a rarity, though the benefits are obvious for pros shuffling through multiple takes. Interested consumers can check this one out when the CoolCameraGear website goes live on April 20th for $230.

Latest word from Toshiba is that its Cell TV -- the network video slurping, six HD tuner recording, SD-to-4K upscaling, 3D GUI powered beast -- will launch in about six months in Japan. Previously we'd been expecting a 2010 debut, although both dates could be true, with Japan seeing the new technology first, Europe later and the U.S. likely somewhere in between. Can't wait until then? Check out our spy shots from the CES show floor or Toshiba's press conference.

Eizo's known for doling out less-than-affordable LCD monitors, but this one just takes the crown (for now). Slated to dazzle in operating rooms everywhere this July, the RadiForce LS560W is a 56-inch behemoth of an LCD that boasts a resolution of 3,840 x 2,160 (or darn close to native 4k x 2k). We're also told that the panel features a 176-degree field of view, a 1,200:1 contrast ratio and 450 nits of brightness. And to think -- we were beginning to wonder if all that 4k surgery footage would ever find a dedicated screen to run on.

Whoa, Nelly. This is getting serious. As 3D looks to infest each and every cinema it can, Sony has just inked a potentially ginormous agreement with 3D guru RealD that will provide "3D digital cinema systems that combine a single Sony 4K projector and its new 3D dual lens adapter with RealD technology." In other words, you could soon be seeing 3D cinema through a 4K projector, which just might lead to your head exploding from visual overload. The agreement makes mention of a "specially designed optical filter tuned for the projector, resulting in the ability to deliver crisp 3D images to screens up to 55 feet in width." Also, the relationship makes it possible for existing 2D installations to be upgraded with 3D capabilities, and honestly, even we're excited about 2K of 3D resolution per eye.

Unlike most everyone else at CES, Toshiba has decided to out all of its expo materials in one single PR. Unfortunately, we were already well aware of most things mentioned, but we felt it prudent to pass along a few unique mentions. First off, it'll be demonstrating a Cell-based prototype HDTV with a 56-inch 4k x 2k panel; said set can upconvert full 1080p to 3,840 x 2,160p thanks to its Resolution+ technology, which frankly has our mouths watering profusely. Additionally, we'll supposedly see a 55-inch LED-backlit panel that's also controlled by the Cell platform, which will seek to demonstrate "high-speed control of all picture parameters, including an innovative local dimming function." In somewhat related news (but not at all, really), we're also told of a few conceptual MIDs that'll make it to the show floor, including an internet notepad, a water-resistant viewer and a 5-millimeter card-sized device. For the full spill, give that read link a gentle tap.

Not even three full years since getting itself back in business, The Prytania Theatre in New Orleans, Louisiana has apparently embraced the wonderful technology that is 4K. Still the only single screen cinema in the entire state, this landmark venue now has Sony 4K badges on its otherwise bare website, signifying that it is now ready to treat patrons to a high-resolution movie-going experience. 4K theaters are still relatively rare even in America, so we'd probably hop on down and see whatever's playing should you find yourself in N'awlins. Speaking of -- has anyone dropped in since the upgrade?

[Image courtesy of DayLife, thanks gamedude360]

And to think, just over a year ago we all thought 1080p surgery was the future. Recently, Steven F. Palter, MD of Gold Coast IVF in Syosset, NY teamed with RED and Sony in order to "film and project a surgery and microscopic images in 4K, which represents its first uses in medicine and biology." During the digital cinema presentation, the 1,600+ surgeons in attendance were able to view the procedure in nauseating detail, giving the crowd the ability to almost be right there inside the operating room from afar. Additionally, the session included a projection of the "largest high-definition 3D surgical images ever," which we can only imagine led to at least a few dozen fainting episodes.

[Image courtesy of Surgery Encyclopedia]

There's a slight possibility that you haven't noticed, but Samsung SDI is on fire. Like, seriously burning down FPD International 2008. After treating onlookers to a flexible OLED, a 40-inch Full HD OLED display and an assortment of other eye-enticing panels, the outfit has one-upped itself once more with a 63-inch 4k x 2k plasma. Sure, actually finding 4k x 2k content will be a challenge, but who wouldn't want to be ready for the inevitable worldwide domination of Super Hi-Vision? Most of the other specs (contrast ratio, luminance, where it's being stored with loose security, etc.) were sadly absent, but with a native resolution like this, the rest takes a back seat anyway.

Think 4k x 2k is intense? Get a load of this. At CEATEC 2008, JVC is once again proving its mastery of the projector art form by showcasing a somewhat ridiculous 8k x 4k beamer. The prototype device boasts a native resolution of 8,192 x 4,320 and packs a dynamic contrast ratio of 1,100,000:1. In case you couldn't guess, its purpose is to display Super High Vision material in all of its natural glory, though only time will tell when that content (and this machine) are widely available to enjoy.

[Via AboutProjectors]

Digital Cinema Implementation Partners (DCIP) -- representing AMC, Cinemark and Regal Cinemas -- has worked out a deal to finance the installation of thousands of digital movie screens starting next year in the U.S. with the help of Lion's Gate, Paramount, Fox, Universal and Disney. Not participating, at least for now, are Warner Bros. and Sony Pictures, with the latter expected to announce a separate deal soon involving the installation of Sony 4K SXRD projectors around the world. Key to the deal? "Virtual print" fees, meant to help defray the expect $70,000 cost to switch to 3D-ready digital projection setups, as the studios will kick in the $800 - $1000 they would have spent on old school movie prints to finance the changeover. In the future they save by distributing only digital prints, not to mention having somewhere to show the dozen 3D flicks expected to debut next year. Both sides are betting the $1 billion package will help pull us away from the HDTVs and back into a movie theater, but until they work out a payoff with that one guy who won't stop talking, we're not sure how likely that is.

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