If you're a lazy ass consumer (the very best kind), bent on pulling a device out of the box, plugging it into a wall, and never messing with another bit of "setup" again, you're certainly not alone. In fact, most folks never lift a finger to calibrate their displays, plug better speakers in, or place those speakers in actually advantageous spots. To that end, Mitsubishi is debuting its new LT-46149 and LT-52149 LCDs with integrated 16-speaker sound projectors. Similar to the sound bars offered up by many home audio manufacturers, the "Integrated Sound Projector" (iSP) is designed to bounce sound off walls and around the room to give the illusion of surround sound. The perk of TV integration is an easy to use room configuration on-screen tool to specify your room's dimensions, couch placement and preferred sweet spot size. At the end of the day, your sound is all coming from one spot, so directionality isn't going to quite match a for-realsie surround sound setup, and the system we listened to was a little sharp in the high end, but it's certainly a unique and appealing offering from Mitsu to the everyman TV watcher. The TV itself is CableCard ready, can support sound over HDMI and PCM inputs, and offers Mitsu's 120Hz film dejuddering -- that rather awkwardly makes your favorite films look like they were shot by a TV news crew. The 46-inch and 52-inch LCDs will sell for $3,299 and $3,699, respectively.

We got a first glimpse of Mitsubishi's brand new rear-projection-ish laser-based TV tech, LaserVue, back at CES, but now the sets are just about primed for action, and should be hitting store shelves, as previously noted, Q3 2008. LaserVue will debut in 65-inch and 73-inch, with the 65-inch version hitting the scene first. Mitsubishi is still pretty coy about what exactly makes the technology tick -- other than the "zomg, lasers" aspect -- but is quick to point out the 200 percent color gamut that LaserVue provides, more than twice that of most traditional HDTVs. The sets also run at 120Hz, and boast 500 nits of brightness. Head to head against LCD and plasma sets we had trouble finding the differences, other than the color depth (particularly in the reds, almost too much so, though we're sure you can tweak that). Have no fear: the blacks are black, the brights are bright, and the viewing angle puts DLP to shame. That said, we're hearing price points are going to be more comparable to plasma and LCD than DLP, so Mitsubishi might have its work cut out for it in convincing consumers that these new "chubby," 10-inch thick TVs are the way to go. We're not entirely convinced ourselves, though one aspect can't be disputed: LaserVue draws under 200 watts, about half that of LCD and a third of plasma.

Just in time for Father's Day, ESPN's tvCompass-built WiFi Ultimate Remote is finally available, and rapidly making its way into the awaiting, Cheeto-stained fingertips of a couch potato near you. It still costs $300, and with a good number of laptops retailing for that price these days, it's certainly hard to justify, but forget all that... who on earth thought this packaging was a good idea? It kind of looks like a dumbbell, but not. We're really at a loss for words here. It's almost like ESPN wants to fail.

So, your cable company stuck you with one of those boring, no-frills Scientific Atlanta DVR boxes. We fill your pain, but you don't have to just take it lying down. Iomega's new DVR Expander offers up 500GB of extra storage over eSATA for compatible Scientific Atlanta boxen. That's about 300 hours of SD TV, or 60 hours of HD. Using those incredibly intuitive SA menus it shouldn't be too hard to stumble through configuration and get this thing added on to your setup, and there's even an eSATA cable included to start things off on the right foot, but it's not like there's anything going on here other than a fairly standard-issue eSATA drive. Right now the drive is compatible with the 8300 DVR and the 8300HD DVR, but future models from Scientific Atlanta will be compatible as well. DVR Expander should be available this month for about $200.

This whole "it's web video, on your TV!" space is getting crowded fast, but we'd say there's certainly room from this new "PoD" device from Verismo Networks. Not content to merely concentrate on one form of content, the PoD can handle content from YouTube, BitTorrent, vTap, Amazon Unbox, CinemaNow, you name it. It's a pretty simple box, with an Ethernet plug, a couple of USB ports for flash storage, some sort of wireless (we're guessing WiFi), and outputs for S-Video or HDMI, up to HD resolutions. It'll sell later this summer for $99, with a bit of a marketing push from YouTube, so this probably won't be the last you hear of PoD.

At D6 today Howard Stringer showed off a brand new "thinner than a credit card" 0.3mm thick OLED panel that Sony is working on. They're planning on a 27-inch version of the screen in the short term for the ultra-rich, but the obvious hope is to fight LCD for dominance in the home in the coming years. This could very well be that 11-inch 960 x 540 display we saw last month, but specs are slim at the moment. More shots after the break.

[Image courtesy of All Things Digital]

Our pals over at Zatz Not Funny go their hands on one of those newfangled, silly-expensive WiFi Ultimate Remotes built by tvCompass for ESPN. They found the built-in episode guide to be quite nice, and the potential for content partnerships beyond the existing ESPN sports content "limitless." So, $300 worth of limitless? Time shall tell.

We got to plant our eyeballs on Pioneer's second-gen KURO plasma display (bottom center), along with all that other new gear Pioneer released today. While all by its lonesome the new flagship display is no doubt impressive, when stacked up against the competition it becomes quite clear that this new KURO is the one to beat. Granted, this was Pioneer's own setup designed to make us believe precisely that, but we certainly did find the new display notably blacker than its predecessor, and quite a lot better than the competing offerings Pioneer had on display. The new KURO projector was also quite impressive, and we even got treated to the much-improved start times of Pioneer's new Blu-ray players.

Time Warner Cable, which just endeared itself to New Yorkers with a whole mess of HD channels, is finally getting a full break from parent company and all-around media conglomerate Time Warner. This has been speculated about for years, and a portion of TWC was spun off into Bright House Networks in 2003, but the clean break should give both companies a good shot at doing what they both do best: raking in obscene amounts of cash. There's no word on the timeline or method for the spin off just yet, only a promise to finalize an agreement "soon." [Disclosure: Engadget is part of the Time Warner family]

Just when you though HANNSpree's idiotic and pointless LCD stylings couldn't be topped, here comes HANNSpree to do it again. The company just launched a 15-inch "Starlight Blue" display in the UK, comprised of some of the worst sci-fi-inspired curves known to man, in conjunction with a bit of pretty princess glitter to complete the atrocious effect. Should you happen to accidentally bring this XGA display home for the £99 ($197 US) asking price, we recommend a burning with fire.

While DXG has few aspirations to taste or quality, they sure know how to price this stuff. The new DXG-569V HD cam can shoot 1280 x 720 video at 30 fps, captures 5 megapixel stills and sports a 3-inch foldout LCD, all for the bargain basement price of $169. Naturally, that video quality probably won't be putting RED ONE out of a job, and you'll need to supply your own SD card to make the magic happen, but if that doesn't dissuade you, you can swipe one from a Radio Shack shelf in silver or black as of today.

RED is really going all out at NAB this year. In addition to that Scarlet 3K "pocket" camera, the RED ONE is getting seriously one-upped by the new top-of-the-line RED EPIC. This 5K camera has a full-frame S35mm Mysterium X sensor, and pretty much matches 35mm film resolution -- RED ONE topped out at 4K. FPS is limited to 100, which is to be expected with all those pixels to handle, but other features match that of other RED cams. Of course, the promise of the RED ONE "rendering obsolescence obsolete" has been slightly trampled by EPIC, but the good news is that RED will allow ONE customers to trade in their cameras for a full $17,500 credit towards the EPIC when it ships in 2009. Price? About $30,000.

RED just unleashed its promised Scarlet "pocket professional" camera at NAB 2008, and it's certainly a sight to see. The teensy 3K resolution camcorder is based on a 2 / 3-inch Mysterium X sensor, can shoot at 1 to 120 FPS and records to dual CompactFlash cards, which can handle up to 100MB per second of REDCODE RAW HD video. You can preview your shot on the 4.8-inch LCD, and there's a 8x RED zoom lens included. HMDI, HD-SDI, FireWire 800 and USB 2.0 inputs are built in, and the device is compatible with "many" RED ONE accessories. WiFi control is also included. In typical RED fashion, the only promises about the final product is that "specifications, delivery dates and design are subject to change... count on it," but this is certainly a good start. No pre-orders are being accepted at this time, but the price is purportedly to going to be a bit under $3,000, and the release is slated for early 2009.

[Thanks to everyone who sent this in]

Good news for the pixel-starved: Boy Genius got a hold of a Sony's 2008 BRAVIA roadmap, which includes word of new XBR6, XBR7 and XBR8 LCD displays. We caught wind of the new XBR6 line at CES, along with the KDL-40Z4100 and the KDL-46Z4100, but apparently things are going to get much more interesting in August when the KDL-46XBR8 drops. New features include "Triluminos" RGB LED backlight, Advanced Contrast Enhancer PRO and BRAVIA Engine 2 PRO 1080p video processor. The XBR7 panels measure as large as 70-inches, and will launch in October, but sport features more in line with the XBR6. Everything is naturally 1080p and 120Hz.

Update: We just got ourselves sent a UK version of this roadmap. It's after the break.

Hey, we hate lawsuits just as much as the next guy, but we're finding it hard to fault Verizon for this one. Verizon and Time Warner Cable arrived in court on Wednesday to settle a tiff over some ads that Verizon claims offer up misleading info about Verizon's FiOS service. Listed among the complaints include supposed false implications by TWC that FiOS requires a satellite dish, doesn't include phone, broadband and video, and that Time Warner's network is better. Time Warner Cable is naturally calling the lawsuit "without merit." Verizon wants TWC to stop running the ads and issue a retraction, as well as compensate them for lost revenue. We're not positive which ad Verizon is referring to, but if it's anything like the ad after the break -- which has some downright false implications about Time Warner Cable using fiber optics "for over a decade" -- then Verizon very well might have something here. [Disclosure: Engadget is part of the Time Warner family]

Update: Reader Max sent us in a version of the ad in which it's actually implied that Verizon requires a satellite dish for its FiOS service. Seriously, you can't make this crap up -- well, apparently TWC can. Ad after the break.